The dramatic structure of Third dual person arises from the proportion between crossings, where each path refers to a reflection that appears after a certain period of time.
The composition of refractions, also supported by the anatomy of the double parts of the body, echoes the dynamics between object, eye and image in specular reflection.
Traveled with a rhythmic and solemn gait, the trajectories are modulated on the shapes of knots and proceed between different objects, propulsive margins of intersections with emergent properties.
The themes of mirroring and relocation assume in sculptural gestures the mirage of a rejoining, in the wandering that approaches the accent on the image of the self-image to the being that doesn't represent itself.
